Thursday, February 18, 2010
I Don't Want to Grow Up! Can I be a Toys R Us Kid Forever?
It hasn't been a bad week. It's been a short week, something that always helps. It's been a cold week, too. Last night, lying in bed, I listened to the scariest creaks and moans from my house. Given that I've just 'published' a book about a demon who haunts a woman who isn't, um, terribly unlike me, my imagination started to go wild.
I shortly curtailed that thought process in favour of reality. Unfortunately, reality was scarier. I started to think that the icicles on my house were rather large and, therefore, heavy. I have some that are, seriously, five feet long. Until yesterday, I was quite proud of this. I mean, honestly, that's some icicle!
And then I went to bed and my house was creaking and moaning. After I cast aside the idea that there was a demon in my attic, I started to think of the reality: There is, at least, five inches of snow on my roof. There are, in places, five feet of icicles hanging from my gutter. Which is worse, a paranormal creature haunting me or the idea of my roof caving in?
I'll have you know, at 11:30 p.m. at night, lying in a dark bedroom, trying to sleep, the idea of a roof caving in is scarier than a demon.
I know! Crazy, isn't it? You'd think I'd be more alarmed about the sound of footsteps in my attic. But as I started to let reality creep in, the footstep sounds transformed into the sound of the boughs of my house starting to sag under the weight of all that snow and ice.
Until now, I'd been proud that my roof was always covered with snow longer than anyone else's. I thought that meant I had better insulation. It probably did. Then I started to wonder how bad it was that my poor roof was so weighed down that it was starting to protest with gentle groans. Thus...I began to panic.
I think I've officially become a grown-up. Once upon a time, my imagination would have pictured a demon in my attic, a ghost floating above me...everything that Stephen King could inspire and then some. These days, the idea of a collapsed roof presents far more nightmares than a genuine ghost.
I want to know when this happened. I like to pinpoint significant moments in my life and I have a feeling that when I made the real, actual, genuine transition to being a full-blown adult occured, it was significant.
I can't figure it out. I currently am listening to an iTunes playlist I made a week ago and it contains everything from Green Day to Muse to Miley Cyrus to Sacha Baron Cohen singing "I like to Move it, Move it" from Madagascar. Even now, it gives me the urge to call my good friend in Pasadena, CA and say, "hey, know what I like to do?" and when she says, "No," I say "I like to move it, move it."
So when did I really grow up? I'm not sure I really have.
Except there's that teeny-tiny, miniscule fact that I'm more concerned about the expense and inconvenience of my roof caving in than having some evil creature haunt me.
I think it's safe to say that, darn it all, I've become an adult.
I'm groaning as I type this.
I may still hide behind my age by going to Green Day concerts. After all, they're older than me, therefore, it's still cool when I go and watch them play. I still like TV shows like Gossip Girl (don't judge me, please. It's Saz's fault...she got me hooked). But I can, at least, see the differences between their generation and mine. I may still read young adult novels for the story and plot. But I do see the reality, even if it makes me cringe.
For example, I do tend to want to clomp the 'heroine' in the head when she turns out to be Bella Swann from Twilight. I'm not even a mother but I still have the urge to slap her when you find out when she's not stopping a 'guy' from watching her while she sleeps. Ok, so he's immortal and he's a vampire. Yet it's still creepy. I don't care if he doesn't need to sleep. I don't care that Bella loves him. It's still creepy. If Edward Cullen can get into your room while you sleep, that means other non-vampire men can do so. Therefore...creepy. Also, really, Edward? You want to watch a girl while she sleeps? Sorry to break it to you but we females aren't so different from males: We snore, drool and move in our sleep...just like you. I'd think that was awfully boring to watch, even if you love us.
To put this in a more realistic context: I love Iron Chef America on the Food Network. It was the show that got me hooked on wanting to cook. I love all of the Iron Chefs and I root for them, regardless of the competitor. Yet there are times when they make me have to consider eating, say, a fish heart or pig's brain that I say: "No, Iron Chef....that's just not pleasant!"
It's not about the taste, it's about the actuality. It's disgusting in theory. In reality, I'm sure it's delicious but I stop before I get that far.
Hence the comparison to teenage vampire lovin'. Ok, so the idea of Edward Cullen staring at you while you sleep may seem romantic...yet, in actuality, it's twisted. He doesn't need to sleep but instead of doing something useful like composing a symphony, writing a novel or even creating a new recipe, he puts aside all that to just...stare at you...while you sleep.
It's creepy. It's wrong. It's just....such a teenage idea.
Hence the fact that I recognize the fact that I'm now a curmudgeonly grown-up. I don't like to think I've lost the idea of romance but I do think I've shed the illusion that romance can be completely silly, completely separate from reality. I've just started reading the novel Outlander and already I sort of want to slap the heroine for being so obtuse. I haven't even got that far but I can see that the hero is going to be 'James', the hero who was wounded when he met his love but grew to be a brave saviour.
Reality isn't so easy. I wish it could be. Sometimes, I wish men and women could walk around with coloured stickers on them so that all we had to do was find the person with the same coloured sticker as the one we were wearing and, voila!, that was our mate. Alas, it does not work that way. Instead, we have to go for awkward coffee/dinner dates with men that an online dating site thinks is right for us because a number of variables on our profiles matches.
I sound bitter. I'm not. I just feel like sometimes I'm too much of an adult and that I should figure out how to cast reality aside in favour of the fictional perfection that I covet in life. I think, in truth, it's up to us. Online dating sites can apply their logical computerized formula to match us but it's the actuality that matters: Do I like him? Is he man enough to call me? Is he actually going to ask me questions about me or talk about Ultimate Frisbee for two hours? Is he really looking for a relationship or just a quickie?
The thing is, I don't think it really matters. While I may have become an adult, ready to worry about the reality of scary matters, I'm still able to step back and realize that sometimes it's nice to be immature, to regress back to the days where idealisation overruled practicality.
Of course, when it comes down to the fact that idealisation costs money, I become exceedingly practical....which I suppose means I've become a fully-fledged grown up.
*sigh*
I suppose you have to grow up sometime. I just don't want to. Say, is that footsteps in my attic, I hear. Perhaps it's a demon! Maybe I should investigate....who cares is my gutter is falling!
Nope, can't do it. Damn it all....I'm a grown up. No matter how hard I try to pretend otherwise.
Happy Friday...and have a great weekend!
Sunday, December 13, 2009
Reading Recommendations...
I love that I have friends that love to read. It means at any given time, I can seek them out via email, on the phone or even in person and ask them what they’ve read lately that they’ve loved. It’s a great way of finding books to read without having to read reviews. What better way than to ask someone who has actually read a book and whose opinion you trust?
Of course, sometimes, you find you disagree with their taste. Hence the fact that I did read the Twilight saga without knowing the full-scale assault it was going to have on the literary world as well as the assault it was going to do on my poor brain as I tried to see what the fuss was about. As I’ve said, I’m backing off it now because there’s no point. Granted, I still dislike the books but, well, let’s just say that having good friends who really like the books and can argue their value in escapism (Thank you, Lady Aero), I will respect the fact that some people like them. I never will.
So, a wee bit tainted from being told that I’d love Twilight and not liking it at all, I was just a little hesitant when another good friend told me about two books I had to read in the same fictional series. The books were The Hunger Games and its sequel, Catching Fire, by Suzanne Collins.
I tried repeatedly to get the books from the library with no luck. It seems there are some teens out there reading other books betweens the Stephanie Meyer collection; I salute that. So, I ended up borrowing my friends copy. I started the books a little hesitantly: When anything comes that highly recommended, it’s always a little intimidating to start reading just in case you don’t like them.
The premise of the book is deceptively simple. It’s the future. The U.S. does not exist but has been divided into 12 Districts, each producing one essential item necessary to life. The districts are ruled from the Capitol, a city set in what used to be the Rocky Mountains and in which the people live luxuriously and excessively, ignorant of the plight of the people in the districts. The Capitol is strict and firm, allowing nothing that it does not approve. The people are oppressed because the Capitol does not want an uprising in the Districts and thus it rules with an iron fist. Every year, they stage The Hunger Games. A barbaric pastime in which children from age 12 to 18 are ‘reaped’- their names thrown into a giant lottery. From each district, a boy and girl is chosen annually from this lottery and must compete in the Games, a fight to the death in which only one victor will survive. The winner receives food and money for life.
The heroine of the tale is Katniss Everdeen, a tomboy who bears the weight of her family on her shoulders. Katniss hunts illegally in her district, trading in a black market to both survive and to get enough food to feed her family. When Katniss’ sister is reaped for the games, Katniss steps in and volunteers to take her place, placing her in a competition that makes her question everything she knows.
The thing about the The Hunger Games is it sounds like a familiar premise. When my friend described it to me, it reminded me of some Stephen King stories: The Long Walk and The Running Man. Yet there is nothing in The Hunger Games that is unoriginal. It is a well-written piece of young adult fiction that deserves as much, if not more, acclaim than the Twilight series.
For one thing, take Katniss Everdeen. She’s a girl who is plucky, smart and a survivor. Even though there’s a love triangle in The Hunger Games reminiscent of the Bella/Edward/Jacob mess in Meyer’s novels, never once do you question it. Katniss is the same age as Bella Swann yet because she’s faced hardship, she puts everything above love rather than making it the only thing worth living for. Katniss has two men in her life: Peeta, the male representative from their district in the Games. Peeta has loved Katniss for years. She’s wonderfully oblivious, believing his acclamations of love to be a strategy for winning the games even though it’s quite clear to the reader that he means them. Peeta is sweet, devoted, kind and nice. He wants nothing more than to see Katniss survive the games. Then there’s Gale: Katniss’ hunting partner from District 12. Never more than a friend, Katniss clearly feels more for him and as the books proceed, it is obvious Gale feels the same way. Gale is brooding, strong and opinionated. He’s a good match for Katniss as the two find a natural rhythm in just being together.
Yet, even with a love triangle, there is so much more to the books. The story is one of growing rebellion and questioning of authority. It is the movement from sad acceptance to awareness and action. The other characters are rich and defined. My favourite is probably Cinna, the stylist who takes on Katniss’ case for the games and turns her from a wild tomboy into a symbol of unity. He’s quietly rebellious in his own way without taking a more active role than helping Katniss discover who she is. One of the most disturbing things about the books is the dramatic and unpredictable ends that befall characters who lend their hearts and souls to Katniss' quest. Cinna is an example of that; for his rebellion, he is punished but the stories leave you wondering and desperately hoping that he's ok, even if he took a stand in a place where doing such a thing is forbidden.
Catching Fire is a disturbing book. It’s not full of sparkles and cottages in the woods, perfect honeymoons and disturbing birth-scenes. It’s dark and twisted and bad things happen to a lot of good people. It’s the type of sequel that climbs into your head and haunts your dreams because you can’t stop thinking about it, wondering what will happen and having your heart break just a little for some of the amazing characters who sacrifice themselves to try to save others.
I think it’s obvious I enjoyed these books. Thus, I am recommending them to anyone that challenged me to tell them what’s better than Twilight. These books are better. These are books in which something actually happens besides love but still allows love and feelings to be a huge part of the story. They’re books with characters that make me care without having to do much at all, although no one in these books is idle. The writing is good enough that you don’t even notice it as you’re turning the pages to see what happens.
The books are part of a bigger series. The next book isn’t out yet and I don’t know when it’s going to be. I do know that until it is, I have a feeling that Katniss and her world are going to pop into my mind quite a lot as I wonder what will happen to her, Peeta, Gale and the other characters in the story. What I don’t care about is if she ends up with either of the men and who it might be because that’s incidental. It’s a nice change of pace. If you're looking for something to read, I highly recommend it. And, even if you're not...I still recommend it.
Happy Tuesday!
Thursday, February 5, 2009
Stephen King vs. Stephanie Meyer

Now, for those of you new to my blog, it's no secret that I dislike the writings of Stephanie Meyer immensely. Ok, so dislike might not be a strong enough word based on what I've written in the past. I think it's pretty obvious that I think the Twilight books are badly written rip-offs of much better author's works. I've been nice in giving Meyer respect for at least getting young people to read. Although now I might have to amend even that nicety a little because, frankly, the obsessee's of Twilight aren't exactly going out to the library or Borders and looking for other books. They're just rereading all of Meyers' books over and over again. There comes a point where that stops being reading and just starts being scary.
I beg to differ. Ok, so Stephen King's books of late haven't been particularly gripping. Ok, so he said he was going to retire a couple of times but...hasn't. And yes, his earlier books were WAY better than his later ones (which may or may not have been linked to his alcohol/substance abuse problems from back in the day.) I'm not saying that he was a better writer when he was drunk or high but....well....those books were better. However, Stephen King has some amazing credits to his name. He can also write and he can write well.
Personally, I can't even fathom how people can even dare say that King can't write any better than Meyer. To say so is almost a crime. Whether you like horror or fantasy or not, doesn't mean that Stephen King can't spin an amazing tale. When he wants to, King's writing can be beautiful and poetic. His characters are three dimensional and compelling. He can make you laugh with a simple phrase such as "he stared at him as though he'd just suggested he use the Arc of the Covenant as a pay toilet". That may be slightly misquoted but it's one of my all time favourite literary quotes. I think it might be from It but I actually don't know. All I know is that it stuck with me.
I'm not saying that Stephen King is perfect. After all, my mother, who used to read his books and enjoy them can no longer read his works because he was arrogant enough to write himself into the last of his Dark Tower series. I admit, this was a gutsy move. I actually didn't mind that at all, I had more of an issue with the syrupy, sugary ending he gave his Susannah character. With that, he let me down, proving that even the toughest, most brutal writers can give in to sentiment. Stephen King: if you're going to kill two of my favourite characters from the Dark Tower books, do not DARE to try to bring them back for a happy ending. I mourned them both and was ok with that. Bringing them back was cheating and it should never have happened.
Yet if you look at Stephen King's record vs. Stephanie Meyer, I don't think anyone can question the fact that King is the much better of the two authors. For one thing, have you looked at his sales figures? Secondly, have you read his books? My favourite is still Black House which was a joint effort with Peter Straub but, as a King fan, I can see his writing and his influence on the book and it's brilliant. The Waste Lands, the third of the Dark Tower series, is one of the best fantasy books ever written, in my opinion.
Yet it's not a question of who's the better writer. That's obvious. Also, I think King was absolutely right to declare J.K. Rowling a far superior writer to Meyer because she is. I am sick to death of the Twilight vs. Harry Potter debate. It's like comparing Star Wars to Starship Troopers. They might both be entertaining but one is a cinematic classic...the other is a piece of crap that might entertain but at the end of the day, has giant bugs and some terrible acting.
I suppose I'm just happy that, once again, Stephen King has seconded an opinion I've had for a while. He did that with Dan Brown's DaVinci Code, calling it a piece of "dreck". I'd been calling it that for ages. It's nice to have someone who usually writes rather well not afraid to say what he thinks instead of patting Stephanie Meyer on the head and saying "good girl" instead of saying "you're a bad writer who ripped off Anne Rice."
And, as a writer, it's also nice to feel validated. I used to wonder how Stephanie Meyer got past the rejection letters since her writing is so....mediocre. Then I found out a friend of her's was a writer and hooked her up with an agent. Some of us aren't that lucky. We keep writing and our writing improves but we have no published friends.
Yet at least there are published authors like Stephen King to stand up for good writing until we can get our start. And, for that, I say thank you, Mr. King. I'll even consider reading some of your newer books again.
Happy Thursday.
Tuesday, October 14, 2008
Friends Don't Let Friends Read "Breaking Dawn"
That books is Breaking Dawn by Stephanie Meyer, a writer who I absolutely guarantee will probably get more than one blog entry here. Mostly likely, Breaking Dawn will get more than one entry here. I can't help myself. It's too easy.
Let me explain. I started reading the "Twilight" series on the recommendation of a friend who has rather good taste in fiction. Being an (early) thirty-something, I was intrigued at first. Granted, I could see the Anne Rice-isms. I could see that it wasn't exactly Pulitzer Prize quality writing but I was entertained. Though I'm jaded and burned from the men of my past, I could see the draw of Twilight. Who didn't want their own gothic hero when they were sixteen? What girl wasn't Bella Swann, awkward, clumsy and completely unsure of herself when she was sixteen? Though I couldn't get passed the fact that Bella was huge drip with no real personality, I kept reading because I still understood the draw. Then I got to Eclipse and realized that Bella was pathetic and even if I'd been sixteen when I'd read these books, I would still have thought so. She wanted to kill herself because her guy had left. Her life was over. Don't get me wrong... I got her despair, I got her depression. Stephanie Meyer did that part well- I competely understood how Bella felt, not knowing why life had any meaning, not knowing why she should respond to the continuing life around her. It sucks when that happens...but it does. But I HATE that it happened to Bella because of a boy. I hate that, at the age of sixteen, maybe seventeen, this girl felt that she couldn't live without the love of a perfect man.
I kept going. New Moon was silly. It made me laugh and not for the right reasons. Truth is, I can't actually remember what happened though I know it involved Edward, Jacob (Bella's alternate love) and some vampire daftness. It was mostly Bella wanting to give up her life to become a vampire and be with her Edward forever- romantic but kind of dumb when you examine her life in detail (Cliff Note version: Her life wasn't bad. She had too parents who loved her, human boys who (for undefined reasons) were crazy about her and the hope of an educated future).
Then came Breaking Dawn. And it was bad. No...it was horrendous. It was the indulgent whim of a writer whose agent and publishing company who forgot that a book was for the readers and, instead, saw dollar signs instead of the words. This post is getting long- WAY longer than planned- which means I'll have to continue later. However, here's the truncated version of Breaking Dawn.
- Bella marries Edward. It's perfect.
- They go to a perfect island that is on loan from Edwards 'mother', Esme. It's perfect .
- Bella is still human yet she is so beguiling, she talks Edward into jumping her bones. They have sex and though it is supposed to be amazing, perfect and incredible, it is described with all the detail of a Victorian schoolmistress.
- She gets pregnant despite the fact that vampires supposedly can't procreate. Edward is afraid and wants to get rid of the baby.
- Bella decides not to discuss this with her husband and, instead, enlists the aid of Edward's 'sister' who, up until this book, has done little but glower at Bella and resent her for being human.
- The narration suddenly switches to that of a previously secondary character- Jacob- even though, for the first three books, Jacob has been in the shadows. Jacob hates Edward. A lot. He says so. A lot. He loves Bella. He says that a lot too.
- Bella is perfect during pregnancy even though she suffers greatly. She suffers silently because that is what Bella does. Her unborn child is too strong for her and almost kills her
- The birth of the child begins with Bella spewing a fountain of blood and thus setting up a grisly scene. The child is fighting her way out. Bella is a weak human. She is dying from the birth but, fortunately, Edward is nearby and eats through Bella's uterus with his teeth to save the child (and yes, you read that correctly). How romantic, eh?
- Bella MUST become a vampire or she'll die because, uh, the love of her life ate her uterus with his teeth and she's dying. This perfectly eliminates all those pesky "I can't turn you into a vampire because I'll be killing you!" doubts that Edward had until this moment. It's all rather convenient and noble of him to save her life by turning her into a vampire.
- When she becomes a vampire, Bella suffers in a very noble silence while she feels as though she's burning to death. She's in great pain but our heroine doesn't want to be a bother and so she just lets herself suffer quietly. After a few days, she's fine and ready to be a vampire.
- Bella becomes absolutely beautiful upon her vampire transformation. This makes up for the fact that she has a half-vampire daughter and her husband ate her uterus. Also, she's a near-perfect "newborn", strong, fast and yet doesn't crave human blood much despite the fact that even the strongest member of the Cullen family had a few years of bloodlust in which he couldn't be around humans. Bella doesn't need no stinking human blood.
- Bella's husband gives her a perfect cottage in the woods for the happy vampire/half-vampire family to live. The cottage belonged to Esme, the giver of all places perfect. (see: Isle Esme)
- The family live happily ever after because Bella singlehandedly takes on the evil vampires that threaten her family/friends and destroys them. Because she's perfect. And strong.
- Oh, and despite the fact that history has no recollection of any vampire/human pairings, there are, apaprently, quite a few half-vampires living in rainforests and quite happily not killing humans. They just didn't reveal themselves until now. They pick the perfect time.
- Oh, and uh, yeah- so not only does Bella and Edward's child have one of the worst names in the histories of fiction- Renesmee- but, uh, yeah, her 'uncle' Jacob, seventeen years older, is karmically intended to be the love of her life and mate with her forever. Tell me THAT doesn't have creepy "uncle Ernie" overtones.
That's it, in a nutshell. I'll write more later. I haven't even covered the major plot issues I have with Bella's father and his reaction to her becoming a vampire. Oh, and yes, the (over)use of the word "perfect" in my breakdown is intentional.
Breaking Dawn exhausts me. It's a wonderful exercise for us non-published writers in what NOT to do when you get the chance. Then again, it's probably a good exercise in what NOT to do, even if you are a published writer. But here's a tip- if you're gonna try to be romantic, having your beautiful hero tear his wife's uterus with his teeth is not, um, exactly endearing. It's actually rather disgusting and putrid. For the record, pedophilia is also gross, no matter how quickly your child grows up. I don't completely blame Ms. Meyer- I actually blame her publisher and agent just as much. This is a book that should have remained in a drawer for a year, or at least for long enough for Stephanie Meyer to reread the first three books in the series that she'd written, long enough for her to remember the personalities of the characters. Because, in all honesty, Breaking Dawn, in the opinion of Captain Monkeypants, is a disaster. It is a self-indulgent, piece-of-crap effort that wants money but cares little for the truism of the characters. Shame on you, Stephanie Meyer- listen to your characters, let THEM tell their story, don't try to give them the perfect little ending that YOU believe is right. You started their story, you should have let them end it.
But I'm tired...I'll elaborate on that later.