Showing posts with label Literary Schitzophrenia. Show all posts
Showing posts with label Literary Schitzophrenia. Show all posts

Monday, December 15, 2008

The Joys of Literary Schizophrenia

I've discovered it's impossible to plan these blogs. I've tried. Some days I have every intention of having a rant and then I get sidetracked and I end up waffling about something completely unrelated.

I have a feeling today will be one of those days. It's a Monday again. It's a rainy, windy Monday morning. It reminds me of England when the weather is like this. The sidewalks are shiny with puddles, the wind tosses the fallen leaves which stick to everything with the dampness. The wind manages to blow the rain so no matter whether you have a hood or an umbrella, there's no fighting the rain and you end up wet. As is always the case on Mondays, I didn't want to get up. I wanted to lie longer, listening to the howl of the wind outside. Yet, as is also always the case on Mondays, I knew I couldn't.

I take pleasure in the fact that this my last week of work before the holidays. That, alone, made it easier to emerge from my covers and get out of bed. This week is actually already better. I have 95% of my shopping done. I giftwrapped last night. My Christmas cards are mailed. And, writing wise, I think I'm back on track.

Now I'm pulling out of my mini-funk, writing is easier. I'm editing the first novel I ever wrote at the moment. I'm intending to try, once more, to throw my lot into the Amazon Breakthrough Novel Award contest this year with this novel. I know a lot of writers hate to edit but I have to say, I actually enjoy it as long as I don't do it immediately after I write a novel. I tend to work on other projects for a while and then, when I'm ready, I go back to the novel and edit. I love doing that; it's a luxury to have already created that fictional world I'm reentering and just being able to look around, listen to the characters whose story I'm telling and see if it still fits. It's like getting to hang out with old friends again.

That's what's happening at the moment. I love my first novel, Rainlight. That's just an opinion, not an expression of arrogance. It's a novel about three teenage boys who all have their own issues to deal with. One of them, David, is hearing strange voices, mysterious whispers that he doesn't understand. His brother, John, is just trying to survive under the tyrannical thumb of his religiously zealous father. John's best friend Michael, has been diagnosed as bi-polar. The three of them are just trying to survive, to seem normal although normalcy keeps eluding them. It's a strange novel but it's not really mine; it belongs to David, John and Michael. They're just nice enough to let me tell their story. And I'm not nice back which is a little unfair. I'm not good at telling stories with puppys, rainbows and sparkles. Their story is funny, poignant and, at moments, heartbreaking. You'll hate me at the end if you ever read it but it's only the first novel in a series of five and in order for the larger story to be told, sacrifices had to be made.

So I'm revisiting that novel at the moment. I still love it but since I wrote it, I've written seven more and lots of short stories. My writing is better now, more fluid. I'm not trying to be Stephen King or Neil Gaiman anymore; I've figured out who I am as a writer. I've a thousand influences but, in the end, it's my writing that has to shine. Editing Rainlight after writing so much other stuff feels like a treat. I've mentioned before how I don't think I'd be a good fit in a writing program. The truth is though I think there are things I can gain from them, ultimately, the goal of a writing program is to make me into a better writer and if writing eight novels hasn't done that, no writing program will.

But writing those other novels has done that. It was hard to write Revelation, the last book in my series about John, David and Michael. It meant I had to leave those characters and move on. Yet they never really left me, they lie low, waiting until it's their turn again. In the meantime, I've 'found' other characters: Jimmy DeLeon, a modern day Joab from the Old Testament, trying to be a loyal soldier for his boss, Ethan, the modern day King David. Briar Richards, whose love for her skater boy threatens to destroy the fragile connection to life to which she clings. And then there's Ryder, Bastian, Foster and Gaz, my Sleepers. Some of them are dead, some of them are not but they all have ties to Sleep, a place where a few chosen go when they die in hopes to find meaning and redemption from their troubled lives.

I don't know which characters will find me next though I have a suspicion that Gaz, from my novel Sleep, will not be appeased. He's the type who knows how to get his own story; no matter how quiet my other voices, Gaz is willing to pipe in and let me know he's waiting.

You probably think I'm crazy. I probably am. Though a friend who is also a writer told me that she, too, hears the voices and she calls it her literary schitzophrenia. I love that term. It's so accurate and true. When I hear my voices, my heart leaps, just a little. No matter how dark life can get, those voices sometimes get me through. They let me follow them into their world for a while and they let me sketch it with words. It's a haven and I love it.

I've only edited Rainlight for one night and already I feel different. I feel like there's a piece of me missing when I'm not writing or talking to my characters. That piece of me is back and it feels right. While I'm editing, I'm still submitting, still trying to find that one agent or publisher who really does want to take a chance on a new writer. Somehow the rejections are a little less painful when I'm content with writing or editing because I remember again why I write in the first place.

I can't wait to get back to editing tonight. It makes getting through the workday easier. It makes the numbing dullness of my day job tolerable because my night job is waiting.

Happy Monday.

Wednesday, November 12, 2008

In which I Tried to be Nice but Failed Miserably (Sorry, Stephanie Meyer)

I promise I'm going to try to hold back from complaining about anything related to Twilight, Stephanie Meyer or anything resembling syrupy, unoriginal, annoying vampire fiction. At least for today. I think I need to read something else that's really bad; then again after I read The DaVinci Code by Dan Brown that sent me on a rant that still isn't quite over, even though it's been several years since I read it. To be fair though, Angels and Demons, the prequel to The Davinci Code. was much worse. I mean, that one had the self-proclaimed 'Harrison Ford in Tweed' hero, Robert Langdon falling from a high flying helicopter and he escaped with nary a bruise.

Here's a confession though: Sometimes I read Dan Brown's fiction because it's so bad, I relish it. There's still a couple of his books I haven't read and I'd like to think I can restrain myself. It shouldn't be too hard. After all the last one I read was so silly, I can't believe it got published. It was something like Digital Fortress or something. There's a couple of them that sound the same. All I know is that he started writing the book with a female heroine who was supposed to be smart but she ended up getting pushed to the sidelines because the men around her were much smarter. It was bad. Though the book had one of my all-time favourite "Don't Write Like This" phrases: "Her olive gaze was keen." To this day, I'm not quite sure whether he meant she had green eyes that turned everything around her green and keen or whether she had mysteriously replaced her eyeballs with pimento stuffed olives. Both of them make for an interesting visual, you have to admit.

Other than the Strictly Research Harlequin books I read, I haven't read anything bad since Breaking Dawn. I've read good books. I don't know if that's because I've just picked good books since then or because that book was so atrocious that everything else pales in comparison.

At the moment, I'm reading a popular fiction book: The Time Traveler's Wife. I wasn't sure about it at first. The time traveling was a bit confusing in the beginning but then it evened out and it got interesting. I also wasn't sure about it because I was afraid it was going to be some silly, too fictional to be real love story. Not that there's anything thing wrong with a love story but if the lovers in question don't at least have a couple of scenes where they're ready to throw knives at one another, it's not realistic to me. Then again, I am the person who couldn't get through Wuthering Heights. Talk about a couple of drips. They actually probably would have thrown knives at each other, come to mention it. Most of the time, it seemed like that hated each other. I think it was one of those grand passions that are so famous in fiction. Unfortunately, they were both so despicable, I really wished they'd both just ride off into the moors and get eaten by the Blair Witch or something.

Um, yeah, Captain Monkeypants may still be feeling a little snarky. Sorry about that.

Back to The Time Traveler's Wife. It was a loaner from a good friend who insisted I finish it. So I perservered even though I don't do well with the concept of time travel. To me, it's the same level of confusion as concentrating while trying to brush my hair in the mirror. I'm not terribly good at the whole reverse image thing. I get befuddled. Time travel befuddles me. All that paradoxical stuff in which future people can travel back and talk to past people but not be seen by their present people or whatever...it's all rather perplexing. It's one of those things I'd rather be perplexed by rather than have someone try to explain it. Like all things I don't understand, it's magic. That's good enough for me.

But this book isn't confusing now I'm into it. I'm intrigued. I'm almost done and I think I might have figured out how it's going to end and if I'm right, I don't think I'm going to like it but I might love it. I confess, sometimes I'm a skipper. This means that I cheat, I skip to the end of a book because I can't wait to see what happens. I'm trying to be better about that lately so I'm not skipping to the end of this book.

The reason I might not like it is that it's not going to be a completely happy ending. I might love it because if I'm right, it means the author did a brilliant thing in placing an almost throwaway scene strategically towards the beginning of the book and I almost didn't think anything of it. I love it when that happens. I love that I'd have to read the second time to see if knowing the ending spoils the book. I'm weird like that, I suppose but I love to reread a good book, particularly one with an excellent ending.

Endings are hard for writers. There are some writers I enjoy who cannot write a decent ending to save their life. Stephen King comes to mind. He falls into the trap of building it up so much that the ending is almost a complete letdown because there's nowhere to go. I think It is the best example of that. I loved that book until the end. The flashbacks were clever, the story built up, it was creepy and scary and then when you found out that the It in question was really just a glorified giant spider, it was a bit of a letdown. Pennywise the Clown was WAY creepier. Dean Koontz is also pretty bad at endings. I think horror writers have it hardest because creating the horror is much easier than explaining it. After all, it's really just a variation on the old saying that there's power in a name. There's a power in knowing in a horror novel. Once you know what the Big Creepy is, it's far less creepy. It becomes an object that can be confronted because it is known. It's the not knowing that's the scariest thing of all.

Stephen King's son released a novel fairly recently. His name is Joe Hill and the novel is Heart Shaped Box. For a first time novel, it was actually quite a good read. It definitely had some moments of creepiness. When he released it, he didn't publicize who he was but one look at his photo on the back cover and it was pretty obvious to anyone who spent vast amounts of their teenage years reading Stephen King novels that the two were related. They look extremely alike. It wasn't a mystery. Joe has a lot of similarities in his writing to the earlier Stephen King. I can't say it was the best horror novel I read but as a ghost story, it's definitely worth reading. But I will admit, the ending of that wasn't anything I really remember. I remember the hero and his unlikely love. I remember the ghost. I remember how the ghost came to being and I remember being very sad for the dogs. I just don't remember the ending very well. That's probably not a good sign.

I won't lie and say I'm great at endings either. They're hard. Really hard. The more you write the characters and the longer you spend with them, the harder it is. I've written eight novels now. Of those eight, there are five that are a series. I spent a couple of years with the main characters, my boys as I like to refer to them: John, Michael and David. They're all wonderful, even when they're evil and they do bad things. I killed one of them. Actually, no, I killed two of them. That was hard. I'd say that was a spoiler because nothing is ever what it seems, especially when I'm making up the details.

But the hardest part was writing the last book in the series and realizing that their story was done. Though I knew how it would end, getting there took a long time. I've rewritten the ending several times and I don't think I'm 100% happy with it. It needs to be edited more. It needs to be tidied up. It needs to be tighter. But I couldn't quite let go of them because I was afraid that would be it. Those boys would leave me and I'd have to move on.

Those boys haven't left me though. They're in my head all the time. I call it my literary schitzophrenia. They've been joined by a couple of other characters who've stuck with me but whose ending I had no trouble with. I usually don't start to write towards the ending until I know what it will be. Sometimes I know the ending before I know the beginning. Other times, I think I know the end but my characters tell me otherwise and I'm at their mercy.

I'd love to share my books with the world. I've dabbled with query letters but I haven't really jumped in feet first. I want those boys I wrote to get out into the world. I want them to grab the readers the way they grabbed me, their tale of good and evil, friendship and brotherhood and the sometimes brutal way they have to act to carry out their purpose in life. And I love how they take that purpose in life and stomp all over it.

But when I think about jumping in feet first, I think about poor Stephanie Meyer. She might be rich but there are always going to be people like me, brutally stomping on the ending to her Twilight saga and ranting about what a pile of crap it is. I'd like to think she was terrified to let the world read that, that it meant so much to her she almost didn't want to publish it because her heart was in that novel. But I've read it and as brutal as it sounds, there is no heart in there. To me, Breaking Dawn is just the self-indulgent whim of a writer who stopped remembering to let her characters tell the story and forced them into submission so she could write the ending she'd always visualized instead of the one that belonged to the book.

So, though I planned on finishing The Time Traveler's Wife tomorrow, I think I may stretch it out. The ending isn't too far off now and if it's anything like the rest of the book, it's going to make me think. Against my expectations, I like the characters and I like how unconventional they are. I especially like that though the time traveler and his wife are in love, they fight and argue like real people. I like thinking I know how it's going to end but knowing I might be wrong. I just hope that I'm not wrong about how good it's going to be. Endings are hard, in every sense of the word. But sometimes they can be as good as a beginning when it leaves you with a hope, a thought and a memory of how much it meant to have it, even for a little while. It's true for writing and it's true for life. It's always hard to say goodbye.

On that note, it is time for my ending for now. I know I said I'd be nice and not rant about Stephanie Meyer but, well, like I said, I can't always plan for how I write. It just happens. And I said I'd try. Clearly even the best of intentions go awry sometimes. I'll try to read something else awful so I can move on. Recommendations are greatly appreciated.

Happy Thursday, everyone.

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